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L'image-mouvement) (1983) is the first of two books on cinema by the philosopher Gilles Deleuze, the second being Cinema 2: The Time Image (French: Cinéma 2. L'image-temps ) (1985). Together Cinema 1 and Cinema 2 have become known as the Cinema books, the two volumes both complementary and interdependent. [ 1 ]
Cinema 2: The Time-Image (French: Cinéma 2, L'image-temps) (1985) is the second volume of Gilles Deleuze's work on cinema, the first being Cinema 1: The Movement-Image (French: Cinéma 1.
Gilles Deleuze was born into a middle-class family in Paris and lived there for most of his life. His mother was Odette Camaüer and his father, Louis, was an engineer. [7] His initial schooling was undertaken during World War II, during which time he attended the Lycée Carnot. He also spent a year in khâgne at the Lycée Henri IV.
The link to cinema would be smoothly elaborated in Deleuze's The Time-Image (1985). [3] Film scholar Tom Gunning used the term to single out filmmakers that made films simply for the sake of making films; affirming their own marginality without for that matter being antagonistic (see also scholar Meaghan Morris ), devoting themselves to non ...
Pages in category "Works by Gilles Deleuze" The following 18 pages are in this category, out of 18 total. This list may not reflect recent changes. A. Anti-Oedipus; C.
Deleuze and Guattari oppose the Freudian conception of the unconscious as a representational "theater", instead favoring a productive "factory" model: desire is not an imaginary force based on lack, but a real, productive force. They describe the machinic nature of desire as a kind of "desiring-machine" that functions as a circuit breaker in a ...
Gilles Deleuze and Félix Guattari note that deterritorialization and reterritorialization occur simultaneously. The function of deterritorialization is defined as "the movement by which one leaves a territory", also known as a " line of flight ", but deterritorialization also "constitutes and extends" the territory itself.
The Private Eye, the Cowboy, and the Very Naked Girl: Movies from Cleo to Clyde (1st ed.). Holt, Rinehart and Winston of Canada. Deleuze, Gilles (1983). Cinema 1: The Movement Image (5th ed.). Minneapolis: University of Minnesota Press. ISBN 0816614008. Galbraith IV, Stuart (1996). The Japanese Filmography: 1900 through 1994. McFarland.
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