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Godzilla vs. Biollante (ゴジラvsビオランテ, Gojira tai Biorante) [a] is a 1989 Japanese kaiju film directed and written by Kazuki Ōmori, with special effects by Kōichi Kawakita. Distributed by Toho and produced under their subsidiary Toho Pictures , it is the 17th film in the Godzilla franchise , the second film in the franchise's ...
Biollante [1] [2] [3] (Japanese: ビオランテ, Hepburn: Biorante) is a rose, human, and Godzilla mutant hybrid kaiju who first appeared in Toho's 1989 film Godzilla vs. Biollante and has since appeared in numerous licensed video games, novels, and comic books.
Godzilla: Final Wars (ゴジラ ファイナル ウォーズ, Gojira Fainaru Wōzu) is a 2004 kaiju film directed by Ryuhei Kitamura, with special effects by Eiichi Asada.An international co-production between Japan, Australia, the United States, and China, the film was produced by Toho Pictures, CP International, Zazou Productions, and Napalm Films.
The Return of Godzilla was released five years before the new Emperor's reign, but is considered part of the Heisei era because it is a direct predecessor to Godzilla vs. Biollante (1989), which came out in the first year of the new Emperor's reign.
Godzilla and Biollante have a final battle with Godzilla winning, saving the earth. However, Godzilla becomes trapped in the Earth's center. As the book ends, the Russian government shows interest in studying Anguirus while America and Japan work together on a new project.
Miki Saegusa (三枝 未希, Saegusa Miki) is a recurring fictional character from the Heisei series of Godzilla films. She is a psychic who uses her powers to communicate with and, in some instances, control the mutant dinosaur Godzilla, and is credited for being the most frequently recurring human character in any kaiju (Japanese giant monster) series.
HuffPost and The Chronicle made multiple efforts to obtain reports detailing athletics spending between 2010 and 2014 from all public institutions, but 33 did not respond by Oct. 15, 2015, the final date reports could be included in our analysis. Nine schools with incomplete data are noted in our Subsidy Scorecards.
In conceptualizing Godzilla's final adversary, screenwriter Kazuki Ōmori initially proposed having the Heisei Godzilla battle the ghost of the original 1954 Godzilla. [6] Instead, the filmmakers settled on a new monster that was a by-product of the Oxygen Destroyer. [ 31 ]
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