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It appears in The Southern Zion's Songster (1864) and in Hymns For the Camp (1862)." [ 1 ] The song references or alludes to several Bible passages, including the refrain, "I am a pilgrim and a stranger" which alludes to 1 Peter 2:11 and Hebrews 11 :13 and also the lyric "If I could touch the hem of his garment" which references Matthew 9:20 ...
This collection included various hymns on each book of the Bible. The hymn is one of 21 inspired by verses from the Book of Leviticus . [ 1 ] " A Charge to Keep I Have" was later included in A Collection of Hymns, for the Use of the People Called Methodists , published in 1780 by Charles's brother John Wesley .
New Christian Hymn and Tune, Fillmore Brothers (1882) Gloria in Excelsis, William E.M. Hackleman (1905) Hymni Ecclesiae, William E.M. Hackleman (1911) Great Songs of the Church (later, revised and supplemented by ACU Press), E.L. Jorgenson (1921) Choice Gospel Hymns, Charles Mitchell Pullias (1923) Christian Hymns, L.O. Sanderson (1935)
It contains hymns and nearly 3,000 devotional, missionary, temperance, and miscellaneous poems, the work of about 820 women in the preceding 340 years. There are brief biographies and musical settings, [2] as well as 140 pieces of music. [3] The larger part of the material was the product of living women.
The New Century Hymnal is a comprehensive hymnal and worship book published in 1995 for the United Church of Christ.The hymnal contains a wide-variety of traditional Christian hymns and worship songs, many contemporary hymns and songs, and a substantial selection of "world music" selections (hymns and worship songs from non-European-American) origin, a full lectionary-based Psalter, service ...
Unlike the abbreviated Psalter included in the LBW, the ELW includes the entire Book of Psalms in a version for congregational prayer and singing. Compared to the LBW , the selection of hymns is expanded, including many options from many of Evangelical Lutheran worship/liturgical service books, hymnals and hymnal supplements published in ...
The hymn appeared in the July 1873 issue of Palmer's Guide to Holiness and Revival Miscellany, a magazine printed by Dr. and Mrs. W. C. Palmer of 14 Bible House, New York City. It appeared on page 36 (the last page) with complete text and piano score, and indicated it had been copyrighted by Crosby that year.
This sermon had been partially quoted in the preface to Charles Wesley's Hymns of the Lord's Supper (1745), which was in common use amongst a number of ministers of the period. The similarity between the passages from Brevint's sermon and the hymn suggests this was the starting point for Toplady's text. [4] [5]
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