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Among alternative tunings for the guitar, an open G tuning is an open tuning that features the G-major chord; its open notes are selected from the notes of a G-major chord, such as the G-major triad (G,B,D). For example, a popular open-G tuning is D–G–D–G–B–D (low to high). An open-G tuning allows a G-major chord to be strummed on all ...
Truncating this tuning to G–D–G–B–D for his five-string guitar, Keith Richards uses this overtones-tuning on the Rolling Stones's "Honky Tonk Women", "Brown Sugar" and "Start Me Up". [37] The seven-string Russian guitar uses the open G tuning D–G–B–D–G–B–D, which contains mostly major and minor thirds. [38] [28]
Open G tuning – G-d-g-b-d' Some slide/bottleneck guitarists omit the bottom E string when playing in open G to have the root note as the tonic. This tuning is used by Keith Richards. Open E ♭ 5 tuning – E ♭-B ♭-e ♭-b ♭-e ♭ '
Often only the top and bottom gauges are given. In this case the top string is listed first, as in the .017-.095w string set for the baritone guitar. Wound strings are shown by the suffix w added to the gauge. For example, a wound string of 32 thou diameter may be called 32w or .032w depending on whether thou or inch measure is used in the article.
New standard tuning (NST) is an alternative tuning for the guitar that approximates all-fifths tuning.The guitar's strings are assigned the notes C2-G2-D3-A3-E4-G4 (from lowest to highest); the five lowest open strings are each tuned to an interval of a perfect fifth {(C,G),(G,D),(D,A),(A,E)}; the two highest strings are a minor third apart (E,G).
In the open-G overtones-tuning G-G-D-G-B-D, the (G,B) interval is a major third, and of course each successive pair of notes on the G- and B-strings is also a major third; similarly, the open-string minor-third (B,D) induces minor thirds among all the frets of the B-D strings.
The standard tuning defines the string pitches as E, A, D, G, B, and E. Between the open-strings of the standard tuning are three perfect-fourths (E–A, A–D, D–G), then the major third G–B, and the fourth perfect-fourth B–E. In contrast, regular tunings have constant intervals between their successive open-strings:
Vladimir Vysotsky often tuned down a whole step, sometimes even a step and a half to an open E. Also, variations in the open G tuning were fairly common, e.g., Bulat Okudzhava would use the tuning of D 2 G 2 C 3 D 3 G 3 B 3 D 4 to play songs written in C, while bard Sergey Nikitin tuned his guitar to an open G minor: D 2 G 2 C 3 D 3 G 3 B ♭ 3 ...
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