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The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
The DSL line does have a 6 button footswitch that can be purchased that allows switching between channels and modes for each channel. The JCM 2000 was touted as the best Marshall ever, with a question mark in the ads in various publications. They followed the 100W and 50W heads with the DSL401(40W) and 201(20W) combos, also with channel switching.
Which precedes Vox specifically making 100W amps for the Beatles by about 4-5 years. By early 1967 both Entwisle and Townshend are using Sound City 100W amp heads in England with Pete using Sunn 100W amp heads when touring in the U.S.(probably to save on carting all that gear across the pond).
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
Walmart is offering clearance sales before the end of the year, with products like air fryers off 50% and artificial Christmas trees on sale for 70% off. FDA issues highest-level recall for Costco ...
(The Center Square) - Washington workers will see a larger chunk taken out of their paychecks in 2025 to fund the Paid Family and Medical Leave program. PFML provides paid time off when you have a ...
The Twilight Zone creator Rod Serling would have turned 100 on Dec. 25, 2024. To commemorate the anniversary, Rod’s daughters, Jodi and Anne, are looking back on some of their most meaningful ...
The Flexi-50 amplifier head was released in 2003, and made its debut at that year's Music Live event in the UK. It is a 50-watt, class-AB amplifier, meant to “create an idealized (Marshall) ‘Plexi’ tone". [20] As a “subtle homage” to the Plexi, the Flexi's faceplate is gold Plexiglas. [20]
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