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This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns. William Morris was one of the most influential designers of wallpaper and fabrics during the latter half of the Victorian period. Morris was inspired and used Medieval and Gothic tapestries in his work. Embossed paper were used on ceilings and ...
In the 1850s, during the Victorian era prior to Morris, most English wallpaper was inspired by the geometric and historical designs of Augustus Welby Pugin, who had created the neo-Gothic interiors of Westminster Palace, and Owen Jones, notable for his abstract geometric patterns.
At the end of the Restoration (1814–1830) and during the Louis-Philippe period (1830-1848), Gothic Revival motifs start to appear in France, together with revivals of the Renaissance and of Rococo. During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets ...
High Victorian Gothic was an eclectic architectural style and movement during the mid-late 19th century. [1] It is seen by architectural historians as either a sub-style of the broader Gothic Revival style, or a separate style in its own right.
Northampton Guildhall, built 1861–64, displays Godwin's "Ruskinian Gothic" style Design, 1872 (V&A Museum no. E.515-1963). Edward William Godwin (26 May 1833 – 6 October 1886) was a progressive English architect-designer, who began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide ...
Sint-Petrus-en-Pauluskerk in Ostend (Belgium), built between 1899 and 1908. Gothic Revival (also referred to as Victorian Gothic or neo-Gothic) is an architectural movement that after a gradual build-up beginning in the second half of the 17th century became a widespread movement in the first half of the 19th century, mostly in England.
It is a stone, spire-shaped monument decorated in Gothic form. The cross is 52 feet 6 inches high and is topped with a gilt cross. Statues surrounding the cross were added later in 1911. Gibbs returned to Oxford in the 1860s and worked in St Giles', central Oxford.
Thomas Willement (18 July 1786 – 10 March 1871) was an English stained glass artist and writer, called "the father of Victorian stained glass", [1] active from 1811 to 1865. [2] East window, Church of St Mary Westwell c1220, restored by Willement
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