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"La campanella" is a revision of an earlier version from 1838, the Études d'exécution transcendente d'après Paganini, S. 140, and is widely considered one of the most technically challenging piano pieces ever written.
The outcome is a very transparent texture, with the rondo theme having hints of musical qualities associated with Romani music. This movement has served as the basis of compositions by other composers, such as the Étude S. 140 No. 3 "La campanella" by Liszt, and Strauss I's Walzer à la Paganini Op. 11.
First performed at a solo concert in La Scala on October 29, 1813. The audience was so impressed that they requested a repeat. [4] Jean Schneitzhoeffer was so inspired by Paganini's performance that he based the scene of Old Madge's witchcraft which opens Act II of his ballet La Sylphide (1832) on Le Streghe. [5] 1815 c. 20: 3 String Quartets ...
Étude No. 3 in G ♯ minor "La Campanella", marked Allegretto, which is after the final movement of Paganini's Violin Concerto No. 2 in B minor. Étude No. 4 in E major "Arpeggio", marked Andante quasi allegretto, which is after Caprice No. 1 in E major. It was written on one line only, omitting the usual separate line for the left hand, this ...
Mario Castelnuovo-Tedesco – Capriccio Diabolico for classical guitar is a homage to Paganini, and quotes "La campanella" Frédéric Chopin – Souvenir de Paganini for solo piano (1829; published posthumously) Ivry Gitlis – Cadenza for the 1st movement of Paganini's Violin Concerto No. 2 Op. 7 "La Campanella" (1967)
La campanella became Étude No. 3. The set of 6 Études were revised as Grandes études de Paganini (S.141). La campanella had earlier been the basis of a separate work, the Grande Fantaisie de bravoure (S.420). [39] Violin Concerto No. 2 in B minor, Op. 7 (1826): III. La campanella [38] Grande Fantaisie de bravoure sur la Clochette: 1831–32
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Violin Concerto No. 2 in B minor, Op. 7, MS 48, La Campanella (1826) Violin Concerto No. 3 in E major, MS 50 (ca. 1826–30) Violin Concerto No. 4 in D minor, MS 60 (ca. 1829–30) Violin Concerto No. 5 in A minor, MS 78 (1830) Violin Concerto No. 6 in E minor, Op. posth., MS 75—probably the first to be written; only the solo part survives
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