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Portrait of Lady Su Hui along with the poem. The Star Gauge (Chinese: 璇璣圖; pinyin: xuán jī tú), or translated as "the armillary sphere chart", is the posthumous title given to a 4th-century Chinese poem written by the Sixteen Kingdoms poet Su Hui for her husband.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Landay: a form of Afghani folk poetry that is composed as a couplet of 22 syllables. Mukhammas; Pantoum: a Malaysian verse form adapted by French poets comprising a series of quatrains, with the 2nd and 4th lines of each quatrain repeated as the 1st and 3rd lines of the next. The 2nd and 4th lines of the final stanza repeat the 1st and 3rd ...
The name Sepehr originates from Persian poetry and astronomy, where it is associated with the celestial sphere, a concept used in ancient Persian cosmology to describe the heavens. In Persian literature, Sepehr frequently symbolizes the infinite beauty and harmony of the sky, often appearing in the works of poets such as Ferdowsi and Hafez.
Ammons also developed a close relationship with poet Robert Morgan, who joined the Cornell English Department 1971 and remained there alongside Ammons for nearly three decades. [14] Both from North Carolina, Ammons and Morgan bonded over their similar upbringings; and though they embraced distinct poetic styles, the two poets praised each other ...
John Gower (/ ˈ ɡ aʊ. ər /; c. 1330 – October 1408) was an English poet, a contemporary of William Langland and the Pearl Poet, and a personal friend of Geoffrey Chaucer. [1] He is remembered primarily for three major works—the Mirour de l'Omme , Vox Clamantis , and Confessio Amantis — three long poems written in French, Latin, and ...
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings.
He describes his devotion as something that lies beyond worldly existence and strife (the sphere of our sorrow). Shelley uses the sentence I can give not what men call love which shows that he himself is not averse to the use of the word love but because it has been misused often by men everywhere to describe ordinary and worldly feelings, he ...