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"Like That" is a song by the American rapper Future and record producer Metro Boomin with fellow American rapper Kendrick Lamar. It was sent to US rhythmic radio through Freebandz, Boominati Worldwide, Epic Records, and Republic as the third and final single from Future and Metro's collaborative studio album, We Don't Trust You, on March 22, 2024.
In 2013, the song was sampled by Danny Brown for his song "Dip" from his album Old. In 2017, the song was interpolated by Cardi B for her song "Bodak Yellow", which would go on to peak at #1 on the Billboard Hot 100 in October of the same year. In 2019, the song was included in “Falling Inn Love” a Netflix film starring Christina Milian.
The Dirtiest Thirstiest is the only studio album by American rapper Yung Wun.It was released on December 7, 2004 via Full Surface/J Records.Recording sessions took place at Basement Studios in New Jersey, at Doppler Studios, Greenhouse Studios and PatchWerk Recording Studios in Atlanta, and at Sony Music Studios in New York City.
Boom bap is a subgenre and music production style that was prominent in East Coast hip hop during the golden age of hip hop from the late 1980s to the early 1990s. [1]The term "boom bap" is an onomatopoeia that represents the sounds used for the bass (kick) drum and snare drum, respectively.
"Blow the Whistle" is a song by American rapper Too Short, released by Up All Nite, Zomba and Jive Records on March 3, 2006 as the lead single from his sixteenth album of the same name. The song, produced by Lil Jon , features a refrain in which Too Short utters "blow the whistle!", followed by a series of whistle blasts.
"Pop Goes the Weasel" is a single by American hip hop trio 3rd Bass; it appears on their second album, Derelicts of Dialect (1991). The song samples "You Haven't Done Nothin'" by Stevie Wonder as well as Peter Gabriel's hit, "Sledgehammer" and “Eminence Front” by the Who. [2] Production came from John Gamble, Geeby Dajani, and Dante Ross. [3]
"Goosebumps" (stylized in all lowercase) is a song by American rapper Travis Scott featuring fellow American rapper Kendrick Lamar. It was sent to rhythmic radio on December 13, 2016, by Grand Hustle Records and Epic Records as the third single from Scott's second studio album, Birds in the Trap Sing McKnight.
Megan Armstrong from Uproxx took note on how the song's "beat is immediately enticing", and how Minaj "doubles down on her well-earned confidence" with some bars. [5] Hanif Abdurraqib from The New Yorker reflected on how Minaj "excels, as she often has, in finding the percussive element in her vocals, as on “Bahm Bahm,” where she emphasizes every consonant in the chorus, creating a kind of ...