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In 1965, Pete Townshend and John Entwistle were directly responsible for the creation and widespread use of Marshall amplifiers powering stacked speaker cabinets. In fact, the first 100 watt Marshall amps (called "Superleads") were created specifically for Entwistle and Townshend when they wanted an amplifier that sounded like a Fender head but with much more power.
In 1967, Marshall released a 50-watt version of the 100-watt Superlead known as the 1987 Model. In 1969, the plexiglass panel was replaced by a brushed metal front panel. Other early customers included Pete Townshend and John Entwistle of The Who, whose search for extra volume led Marshall to design the classic 100-watt valve amplifier. [12]
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
These speakers were best known for their use in Marshall 4 X 12 100 watt cabinets. The Super Bug was a 2x12" Solid State Amplifier, much like the Reverb Bug but more powerful and heavier to transport. Later on GBX produced the Custom Bug which was a 60 watt solid state combo with 4 x 10" speakers.
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
The Marshall JTM45 amplifier is the first guitar amplifier produced by the British company Marshall. It was initially produced in 1963, and has been ranked among the most desirable of the company's amplifiers. [1] Notable musicians who have used this amplifier include David Gilmour, [2] The Rolling Stones, [2] and Jimi Hendrix, [3] among others.
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