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2. Slash (musician) - Wikipedia

   en.wikipedia.org/wiki/Slash_(musician)

   In 1996, Marshall introduced the Marshall Slash Signature JCM 2555, an authentic reissue of the Marshall "Silver Jubilee" JCM 2555 released in 1987. It was the first signature amp ever produced by Marshall, with production limited to 3000. [ 152 ]

3. Marshall Amplification - Wikipedia

   en.wikipedia.org/wiki/Marshall_Amplification

   Clapton asked Jim Marshall to produce a combo amplifier with tremolo, which would fit in the boot of his car, and one of the most famous Marshall amps was born, the "Bluesbreaker" amp. [6] This is the amplifier, in tandem with his 1960 Gibson Les Paul Standard (the "Beano"), that gave Clapton that famous tone on the John Mayall & the ...

4. Jim Marshall (businessman) - Wikipedia

   en.wikipedia.org/wiki/Jim_Marshall_(businessman)

   From 1960, Marshall owned a moderately successful music store in Hanwell, West London, selling drums and then branching out into guitars.His many guitar playing customers (including Ritchie Blackmore, Big Jim Sullivan and Pete Townshend) spoke of the need for a particular kind of amplifier, with Townshend wanting something "bigger and louder", and Marshall saw the opportunity, [2] [6] founding ...

5. The Who's musical equipment - Wikipedia

   en.wikipedia.org/wiki/The_Who's_musical_equipment

   In 1965, Pete Townshend and John Entwistle were directly responsible for the creation and widespread use of Marshall amplifiers powering stacked speaker cabinets. In fact, the first 100 watt Marshall amps (called "Superleads") were created specifically for Entwistle and Townshend when they wanted an amplifier that sounded like a Fender head but with much more power.

6. Marshall 1959 - Wikipedia

   en.wikipedia.org/wiki/Marshall_1959

   The amplifier was reissued for the first time in 1988 (the 1959S), and again from 1991 to 1993 (the 1959X) and from 1993 to 1995 (the 1959SLP). [1] The SLP continued after 1995 but in 2000 Marshall added modifications to lower the noise floor (hum balance pot), reverted the negative feedback resistor to the 1968-69 value of 47 kΩ, and added an effects loop.

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