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Gumnaam (translation: Anonymous) is a 1965 Indian Hindi-language mystery film directed by Raja Nawathe and produced by N. N. Sippy.The film was released in India on 24 December 1965 and stars an ensemble cast of Manoj Kumar, Nanda, Mehmood, Pran, Helen, Madan Puri, Tarun Bose, Dhumal and Manmohan.
Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Hindi-language action films (5 C, 154 P) Hindi-language adventure films (2 C, 3 P) B.
In 2022, Hindi cinema represented 33% of box office revenue, followed by Telugu and Tamil representing 20% and 16% respectively. [5] Hindi cinema is one of the largest centres for film production in the world. [6] [7] [8] Hindi films sold an estimated 341 million tickets in India in 2019.
Serious Men is an Indian Hindi-language satirical comedy-drama film directed by Sudhir Mishra. It is based on the book of the same name by Manu Joseph [2] and features Nawazuddin Siddiqui in the lead role. The film is produced by Bombay Fables and Cineraas Entertainment. [3] It was released on Netflix on 2 October 2020. [4]
Ek Ruka Hua Faisla (English: A Pending Decision) is a 1986 Indian Hindi-language legal drama film directed by Basu Chatterjee. [1] It is a remake of the Golden Bear winning American motion picture 12 Angry Men (1957) [2] directed by Sidney Lumet, which was an adaptation from a 1954 teleplay of the same name by Reginald Rose.
[5] The film won the 1977 National Film Award for Best Feature Film in Hindi and National Film Award for Best Screenplay for Vijay Tendulkar, and was also India's submission for the Academy Award for Best Foreign Language Film in 1976. [6] A restored version was released in the Cannes Classics section of the 2024 Cannes Film Festival. [7]
songwriters; the “Nine Old Men” in Disney animation— all were still working, although Marc Davis had moved to Imagineering; and John Hench, Claude Coats, and Davis at Imagineering. The photographs told the story, and soon, with Bob Moore’s page layouts and my captions identifying the talent, we accompanied Card to review the concept with
Vanita further notes the fact that unlike previous ghost stories in Hindi films, in this film the ghost is real. In the same book, the author mentions the way the erotic undertone of the story is built, where the male lead is attracted more to the ghost than his wife, with "death and liberation portrayed as almost orgasmic experiences". [42]