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In English, gh historically represented [x] (the voiceless velar fricative, as in the Scottish Gaelic word loch), and still does in lough and certain other Hiberno-English words, especially proper nouns. In the dominant dialects of modern English, gh is almost always either silent or pronounced /f/ (see Ough).
The g in Magnet is pronounced as a hard g, but the gn in Champagner is pronounced like the French gn in champagne. The letter combination ng is usually merged to a velar nasal, and the g is not spoken in its own right; e.g., in the German word Finger, it is not audible as in the English word finger.
In English orthography, the letter k normally reflects the pronunciation of [] and the letter g normally is pronounced /ɡ/ or "hard" g , as in goose, gargoyle and game; /d͡ʒ/ or "soft" g , generally before i or e , as in giant, ginger and geology; or /ʒ/ in some words of French origin, such as rouge, beige and genre.
The voiced velar fricative is a type of consonantal sound that is used in various spoken languages.It is not found in most varieties of Modern English but existed in Old English. [1]
A digraph that shares its pronunciation with a single character may be a relic from an earlier period of the language when the digraph had a different pronunciation, or may represent a distinction that is made only in certain dialects, like the English wh . Some such digraphs are used for purely etymological reasons, like ph in French.
The correct way to say the French town includes dropping, well, basically everything: The "c" in the beginning turns into a "k" and the "s" at the end is silent. Some say that "a" becomes an "e ...
This is the pronunciation key for IPA transcriptions of French on Wikipedia. It provides a set of symbols to represent the pronunciation of French in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
gh, pronounced / f / as in enough / ɪ ˈ n ʌ f / or tough / t ʌ f /; o, pronounced / ɪ / as in women / ˈ w ɪ m ɪ n /; ti, pronounced / ʃ / as in nation / ˈ n eɪ ʃ ən / or motion / ˈ m oʊ ʃ ən /. The key to the phenomenon is that the pronunciations of the constructed word's three parts are inconsistent with how they would ...
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