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David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation." [10] Wade argues that the aim is to transfigure, turning mosques "into lightness and pattern", while "the decorated pages of a Qur’an can become windows onto the infinite."
Entrance portal at the Mosque of al-Zahir Baybars in Cairo, Egypt (13th century) Ablaq became a prominent feature of Mamluk architecture in Syria, Egypt and Palestine in the 14th and 15th centuries. During this period, black and white stone were often used as well as red brick in recurring rows, giving a three colored striped building. [3]
These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting ...
David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation." [11] Wade argues that the aim is to transfigure, turning mosques "into lightness and pattern", while "the decorated pages of a Qur’an can become windows onto the infinite."
The Fatimids used a green standard, as well as white. The Saudi Emirate of Diriyah used a white and green flag with the shahadah emblazoned on it. Various countries in the Persian Gulf have red flags, as red represents nationalism. The four Pan-Arab colours, white, black, green and red, dominate the flags of Arab states. [2] [3]
It presents the stories behind many well-known works of Islamic Art and Architecture. [9] The film is narrated by Susan Sarandon, [10] informs its audience about Islamic art, from ornamented palaces and mosques to ceramics, carved boxes, paintings and metal work. It compares the artistic heritages of the West and East.
The portals are recessed and have trilobed profiles, muqarnas carving, and marble paneling in variations of black and white. The columns at the corner of the mosque and the mausoleum have capitals of Coptic and Byzantine styles, indicating that the Mamluk craftsmen were imitating pre-Islamic designs. [7]
The mosque has an unusual layout, consisting of two consecutive halls, with the second one accessed through the first one. The first hall is accessed via a portal with a large pointed arch, inside which is a doorway built in alternating black and white stone, or ablaq.