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Green Day released their first two studio albums, 1,039/Smoothed Out Slappy Hours (1991) (consisting of the original 39/Smooth as well as their first two EPs 1,000 Hours and Slappy) and Kerplunk (1991), through the independent label Lookout! Records before signing to major label Reprise Records.
Kerplunk (stylized as Kerplunk!) [nb 1] is the second studio album by the American rock band Green Day, released on December 17, 1991, by Lookout! Records.Following a US tour promoting their debut studio album 39/Smooth (1990), drummer John Kiffmeyer left to attend college and was replaced by Tré Cool, formerly of the Lookouts.
Green Day Kerplunk: 1991 "86" Billie Joe Armstrong Green Day Insomniac: 1995 "8th Avenue Serenade" Billie Joe Armstrong Green Day ¡Tré! 2012 "99 Revolutions" Billie Joe Armstrong Green Day ¡Tré! 2012 "All the Time" Billie Joe Armstrong Green Day Nimrod: 1997 "Amanda" Billie Joe Armstrong Green Day ¡Tré! 2012 "The American Dream Is Killing Me"
Green Day's two major albums, 'Dookie' and 'American Idiot,' turn 30 and 20 this year. Where do they rank among their best? ... Kerplunk! (1991) Green Day Kerplunk. Andy Ernst produced Kerplunk ...
Concert poster, dated March 16, 1990, at 924 Gilman Street for Lookout!-signed punk bands, including Green Day, Neurosis, Samiam, and the Mr. T Experience.. In 1987, friends and guitarists Billie Joe Armstrong and Mike Dirnt, 15 years old at the time, along with bassist Sean Hughes and drummer Raj Punjabi, a fellow student from Pinole Valley High School, formed band "Blood Rage", the name ...
"Welcome to Paradise" is a song by the American rock band Green Day. It first appeared as the third track on the band's second studio album, Kerplunk (1991). It was re-recorded and rereleased as the fifth track on the band's third studio album, Dookie (1994), and released as the album's third single. Its physical release was exclusive to the ...
Warning is the sixth studio album by the American rock band Green Day, released on October 3, 2000, by Reprise Records. [1] Building upon its predecessor Nimrod (1997), it eschewed the band's trademark punk rock sound and incorporated acoustic elements and pop and folk styles.
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