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Jason Statham (/ ˈsteɪθəm / STAY-thəm; born 26 July 1967) is an English actor. He is known for portraying characters in various action-thriller films who are typically tough, gritty, or violent. Statham has been credited for leading the resurgence of action films during the 2000s and 2010s. [1]
A saddle seat rider, in formal evening attire, showing a classic 3-gaited horse. Saddle seat[ a ] is a style of horse riding within the category of English riding that is designed to show off the high action of certain horse breeds. The style developed into its modern form in the United States, and is also seen in Canada and South Africa.
Wrath of Man is a 2021 action thriller film [4] directed by Guy Ritchie, who co-wrote with Ivan Atkinson and Marn Davies. It is loosely based on the 2004 French film Cash Truck. [5] It is Ritchie's fourth directorial collaboration with lead actor Jason Statham, and the first since Revolver (2005).
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The Transporter (French: Le Transporteur) is a 2002 English-language French action film directed by Corey Yuen and Louis Leterrier [a] from a screenplay by Luc Besson and Robert Mark Kamen. It is the first installment in the Transporter franchise and stars Jason Statham in the title role, alongside Shu Qi, François Berléand and Matt Schulze.
Box office. $13.1 million [2] In the Name of the King: A Dungeon Siege Tale (also known as Dungeon Siege: In the Name of the King, or simply In the Name of the King), is a 2007 German-American action - fantasy film directed by Uwe Boll and starring Jason Statham, Claire Forlani, Leelee Sobieski, John Rhys-Davies, Ron Perlman and Ray Liotta.
The Bank Job. The Bank Job is a 2008 heist thriller film directed by Roger Donaldson and written by Dick Clement and Ian La Frenais. It is based on the 1971 burglary of Lloyds Bank safety deposit boxes in Baker Street. It stars Jason Statham.
Jason Statham and much of the cast joined in August and September 2016. [12] The film is an American and Chinese co-production. [4] It was considered a full co-production under Chinese regulations, and it was not subject to the same quota system and revenue sharing agreements usually applied to imported films. [5]