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"Burru" consists of alternations of a beat made by one drummer, and another beat by another drummer, like a conversation between two or more people: this pattern is named call and response, [2] and can be observed in almost all African-rooted music, such as the first Afro-American music genres like blues and gospel, among others.
Instrument Tradition Hornbostel–Sachs classification Description agbe: See chekere: agida [4] [5]: Suriname: 211.212 Afro-Surinamese bass drum that sets a steady beat for folk music, played with a stick, of the set with apinti and tumao, pitch can be varied based on the location of the head struck, made from hollow logs with heads of skin, used in spiritual ceremonies, where it is associated ...
Bongo drums produce relatively high-pitched sounds compared to conga drums, and should be held behind the knees with the larger drum on the right when right-handed. It is most often played by hand and is especially associated in Cuban music with a steady pattern or ostinato of eighth-notes known as the martillo (hammer). [3]
Congas, bongos, bombo and batá drums are most commonly heard in afro-Caribbean music, however, many other variations of drums are also used including the tumba francesa, palo, yuka and makuta drums. [16] The influence of the drums in afro-Caribbean music is mixed with many popular drum varieties originating in Latin America, Europe and Africa ...
The configuration of instruments present depends on the region in which these events take place. Palo drums are played with the hands, held between the legs, and tied to the palero's waist by a rope. The three paleros each play a distinct beat on their palos, which ultimately blend together. These rhythms vary depending on the region as well.
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
Mento is a style of Jamaican folk music that predates and has greatly influenced ska and reggae music. [2] It is a fusion of African rhythmic elements and European elements, which reached peak popularity in the 1940s and 1950s. [3]
The surdo is a bass drum or a large floor tom-like drum used in many kinds of Brazilian music, such as Axé/Samba-reggae and samba, where it plays the lower parts from a percussion section. The instrument was created by Alcebíades Barcelos during the 1920s and 1930s as part of his work with the first samba school in Rio de Janeiro, Deixa Falar ...
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