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Its main plaza is an open dirt expanse on the east side of that road, with the church on the plaza's north side. The church has a cruciform plan, and is built out of adobe finished in mud plaster. Its nave is 100 feet (30 m) long and 52 feet (16 m) wide (as measured on the outside), with transepts and an apse extending the structure to the ...
In Samnanger church for instance, outside corners have been cut to avoid splicing logs, the result is an octagonal floor plan rather than rectangular. [12] The cruciform constructions provided a more rigid structure and larger churches, but view to the pulpit and altar was obstructed by interior corners for seats in the transept.
The cruciform plan was a landmark development in Christian architecture, because it replaced a basilica plan with a centralized shrine plan. [9] Dozens of cruciform church buildings of the late fourth and early fifth centuries were rough imitations of the Constantine-era Church of the Holy Apostles, such as St. Ambrose's Church of the Apostles ...
In music, a melody of four pitches where a straight line drawn between the outer pair bisects a straight line drawn between the inner pair, thus forming a cross. In its simplest form, the cruciform melody is a changing tone, where the melody ascends or descends by step, skips below or above the first pitch, then returns to the first pitch by step.
The church is a fieldstone cruciform-plan structure with a hip roof. A square-plan, hip-roof bell tower at the front contains an entry vestibule. Both the church and tower are topped with a red ceramic tile roof. A 1954 addition is located in one corner of the church. [3]
This type of plan was also to later play a part in the development of church architecture in Western Europe, most notably in Bramante's plan for St Peter's Basilica [3] [11] [better source needed] and Christopher Wren's design for St Paul's Cathedral. Most cathedrals and great churches have a cruciform groundplan.
According to its National Register nomination, its ornamentation and detail "is simple, reflecting the modest resources of the congregation that built it in the middle of the 19th century. The building is of a cruciform floor plan with thick walls made of adobe brick molded by the parishioners and carried up to the site from the valley land below.
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