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Devils and Realist (Japanese: 魔界王子 devils and realist, Hepburn: Makai Ōji: Devils and Realist) is a Japanese manga series written by Madoka Takadono and illustrated by Utako Yukihiro . It was serialized in Ichijinsha 's josei manga magazine Monthly Comic Zero Sum from October 2009 to February 2018, with its chapters collected in ...
The Japanese version use adapted Hepburn romanization, while the English version adapted from Sanskrit. Jujutsu Kaisen introduced Mahāla as a summon for one of the Ten Shadows technique, dubbing it the "Eight-Handled Sword Divergent Sīla Divine General Makora," which was mistranslated as "Mahoraga," despite the furigana for the both of them ...
The chonmage (丁髷) is a type of traditional Japanese topknot haircut worn by men. It is most commonly associated with the Edo period (1603–1868) and samurai, and in recent times with sumo wrestlers. It was originally a method of using hair to hold a samurai kabuto helmet steady atop the head in battle, and became a status symbol among ...
The Twelve Heavenly Generals, also known as Twelve Divine Generals [2] or Juni Shinsho, [1] are the protective deities, or yaksha, of Bhaisajyaguru (Tathagata), the buddha of healing and medicine in Mahāyāna Buddhism. They are also considered to protect its believers. Each sculpture has his own symbol, following the Chinese zodiac signs. The ...
The Japanese version of the Chinese Azure Dragon of the East. Sesshō-seki The poison gas-spewing "killing stone" which Tamamo-no-Mae 's spirit transformed into upon her final defeat in the form of Hoji, until her repentant spirit's eventual exorcism. The stone has since broken, much to the dismay of those unaware of her change of heart. Shachihoko
Konjin is associated with compass directions, and said to change position with the year, lunar month, and season. Kono-yo (この世, lit. ' this world ') – See busshitsukai. Konpaku – Every living human has both a kon and a haku. Kome (米, lit. ' Rice ') – Offerings of white rice made at Shinto shrines and a household's kamidana.
The traditional colors of Japan trace their historical origins to the Twelve Level Cap and Rank System which was established in 603 by Prince Shōtoku and based on the five Chinese elements. In this system, rank and social hierarchy were displayed and determined by certain colors.
Ohaguro existed in Japan in one form or another for hundreds of years, and was considered a symbol of beauty for much of this time. Objects with a deep black color, such as those lacquered to a glossy black, were considered to be of great beauty, and many shades of black were used in dyeing kimono, with different shades holding different meanings.