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Steven McDonald, for AllMusic, notes that Hammill songs take "... a dead run at a grandiose concept or two – the consequences of immortality on the title track, and the grand fate of humanity on the epic "Childlike Faith in Childhood's End." McDonald concludes: "The true highlight, however, is the beautiful, pensive "My Room (Waiting for ...
When Christopher Noxon appeared on The Colbert Report on June 29, 2006, to promote his book Rejuvenile, he remarked that "There's a big difference between childish and childlike". Karen Brooks has written about what she calls the " commodification of youth": entertainers sell "the teen spirit" to adults who in the past were called "young at heart".
The child archetype is a Jungian archetype, first suggested by psychologist Carl Jung.In more recent years, author Caroline Myss has suggested that the child, out of the four survival archetypes (child, victim, prostitute, and saboteur), is present in all humans.
Childism can refer either to advocacy for empowering children as a subjugated group or to prejudice and/or discrimination against children or childlike qualities. [1] It can operate thus both as a positive term for a movement, like the term feminism, as well as a critical term to identify age-based prejudice and discrimination against children, like the term racism.
Shia Muslim girls studying the Quran placed atop folding lecterns during Ramadan in Qom, Iran. The topic of Islam and children includes Islamic principles of child development, the rights of children in Islam, the duties of children towards their parents, and the rights of parents over their children, both biological and foster children.
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Tafseer-e-Usmani or Tarjuma Shaykh al-Hind (Urdu: تفسیر عثمانی , ترجمۂ شیخ الہند) is an Urdu translation and interpretation of the Quran. It was named after its primary author, Mahmud Hasan Deobandi, who began the translation in 1909. Shabbir Ahmad Usmani later joined him to complete the exegesis. The translation has ...
A critique of John Steinbeck's The Short Reign of Pippin IV by Peter Lisca describes the story as lacking the burlesque humor of Tortilla Flat, the Rabelaisian humor of "St. Katy the Virgin," the folk humor of The Grapes of Wrath, the tender humor of Cannery Row, the "terrible" Swiftian humor of The Wayward Bus, and (instead) consisting of "a sophomoric humor of grotesque improbability and ...