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Solomon "Sol" LeWitt (September 9, 1928 – April 8, 2007) was an American artist linked to various movements, including conceptual art and minimalism. [1]LeWitt came to fame in the late 1960s with his wall drawings and "structures" (a term he preferred to "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography, painting, installation, and artist's ...
Because of Kline's impact and his concrete style, Kline was dubbed the "black and white artist", a label which stuck with the artist, and by which he would occasionally feel restricted. [12] Kline's first one-man show was a pivotal event in Kline's career as it marked the virtually simultaneous beginning and end of Kline's major invention as an ...
34th Street Wall, March 2010. The 34th Street Wall is a 1,120-foot-long retaining wall along SW 34th Street (Florida State Road 121) in Gainesville, Florida.It was constructed in 1979 by the Florida Department of Transportation to prevent erosion on the adjoining University of Florida golf course when the road was widened from two to four lanes, necessitating cutting through a small hill.
Pages in category "Concrete art" The following 38 pages are in this category, out of 38 total. This list may not reflect recent changes. ...
The facade of Marks's Los Angeles gallery was inspired by Study for Black and White Panels, a collage he made while living in Paris in 1954, and a painting, Black Over White. [81] From 1964 he produced prints and editioned sculptures at Gemini G.E.L. in Los Angeles and Tyler Graphics Ltd near New York City.
Kingsley Plantation, Jacksonville, Florida. Original tabby concrete walls of slave housing at Kingsley Plantation, early nineteenth century. Tabby is a type of concrete made by burning oyster shells to create lime, then mixing it with water, sand, ash and broken oyster shells. [1]
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However, there are exceptions to this rule, including black-and-white fine art photography, as well as many film motion pictures and art film(s). Early photographs in the late 19th and early to mid 20th centuries were often developed in black and white, as an alternative to sepia due to limitations in film available at the time.