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"A Valediction: Forbidding Mourning" is a metaphysical poem by John Donne. Written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe, "A Valediction" is a 36-line love poem that was first published in the 1633 collection Songs and Sonnets, two years after Donne's death.
The villanelle consists of five stanzas of three lines followed by a single stanza of four lines (a quatrain) for a total of nineteen lines. [8] It is structured by two repeating rhymes and two refrains: the first line of the first stanza serves as the last line of the second and fourth stanzas, and the third line of the first stanza serves as the last line of the third and fifth stanzas.
The poem was adapted as the lyrics in the song "Prayer" by Lizzie West. The last four lines of the poem were recited among others in Getting Over It with Bennett Foddy. The poem is read by Lisa (played by Kerry Godliman), the dying wife of lead character Tony (played by Ricky Gervais) in the final episode of the Netflix series After Life.
This is a list of words and phrases related to death in alphabetical order. While some of them are slang, others euphemize the unpleasantness of the subject, or are used in formal contexts. Some of the phrases may carry the meaning of 'kill', or simply contain words related to death. Most of them are idioms
The jisei, or death poem, of Kuroki Hiroshi, a Japanese sailor who died in a Kaiten suicide torpedo accident on 7 September 1944. It reads: "This brave man, so filled with love for his country that he finds it difficult to die, is calling out to his friends and about to die".
“The event or death may have been related to the underlying disease being treated, may have been caused by some other product being used at the same time, or may have occurred for other reasons.” The Times story also cited a buprenorphine study by researchers in Sweden that looked at “100 autopsies where buprenorphine had been detected.”
In 1971, Les Crane used a spoken-word recording of the poem as the lead track of his album Desiderata. [20] His producers had assumed that the poem was too old to be copyrighted, but the publicity surrounding the record led to clarification of Ehrmann's authorship and the eventual payment of royalties.
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