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The Old English epic poem Beowulf is written in alliterative verse.. In prosody, alliterative verse is a form of verse that uses alliteration as the principal device to indicate the underlying metrical structure, as opposed to other devices such as rhyme. [1]
For example, S sounds can imply danger or make the audience feel as if they are being deceived. [37] Other sounds can likewise generate positive or negative responses. [38] Alliteration serves to "intensify any attitude being signified". [39]: 6–7 An example is in John F. Kennedy's Inaugural Address, in which he uses alliteration 21 times.
The first (of 10 lines) is written in normal alliterative metre, while the second (6 lines) includes internal rhyme in each line. First published in a poetry collection called A Northern Venture (1923). An unfinished Old English poem based on the Atlakviða (68 lines in two separate sections), published in The Legend of Sigurd and Gudrun.
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf, but the vast majority of Old English poetry belongs to the same tradition.
The earliest Latin poems, unlike early Germanic and English poetry, do not have obligatory alliteration. Most of the fragments of the early accentual Saturnian poetry listed by Lindsay exhibit no alliteration, although some do, for example the following line, attributed to Naevius (c.270–c.201 BC), which has alliteration of M, P, and T:
Layamon's Brut (ca. 1190 – 1215), also known as The Chronicle of Britain, is a Middle English alliterative verse poem compiled and recast by the English priest Layamon. Layamon's Brut is 16,096 lines long and narrates a fictionalized version of the history of Britain up to the Early Middle Ages .
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"The Tyger" is a poem by the English poet William Blake, published in 1794 as part of his Songs of Experience collection and rising to prominence in the romantic period. The poem is one of the most anthologised in the English literary canon , [ 1 ] and has been the subject of both literary criticism and many adaptations, including various ...