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Early Christian art and architecture (or Paleochristian art) is the art produced by Christians, or under Christian patronage, from the earliest period of Christianity to, depending on the definition, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. [1]
Church architecture refers to the architecture of Christian buildings, such as churches, chapels, convents, seminaries, etc. It has evolved over the two thousand years of the Christian religion , partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions.
Coptic art is the Christian art of the Byzantine-Greco-Roman Egypt and of Coptic Christian Churches. Coptic art is best known for its wall-paintings, textiles, illuminated manuscripts, and metalwork, much of which survives in monasteries and churches. The artwork is often functional, as little distinction was drawn between artistry and ...
Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations. Images of the Virgin Mary and saints are much ...
For a long time, the art of architecture was primarily concerned with the design of churches and aristocratic palaces, therefore the evolution of Orthodox churches represents a major part of the history of Byzantine architecture and Russian architecture. More detailed information is presented in those articles.
The first step in making the window was the design, a colored drawing about one-tenth of full size, made for the approval of the master builder and the patron of the windows. This plan showed the design of the lead and iron framework that held the glass together, and the colors of each piece.
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Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.