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The Double Doink was a game-ending field goal attempt by Chicago Bears kicker Cody Parkey in the National Football League (NFL)'s 2018 NFC Wild Card game.Parkey's failed 43-yard field goal attempt against the Philadelphia Eagles was partially blocked by Eagles defensive lineman Treyvon Hester, hit the left upright, then bounced off the crossbar, and finally fell back out onto the goal line ...
Julien Christian Lutz (born October 31, 1975), known professionally as Director X, is a Canadian music video director.Having trained under Hype Williams, Lutz has been credited for directing over a hundred music videos spanning various genres since 1998, including Jay-Z, Drake, Future, John Mayer, Kanye West, DJ Khaled, Usher, Ice Cube, Little Mix, Fabolous, Fifth Harmony, Mystikal and Akon.
Overdubbing (also known as layering) [1] is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. [2]
Audio example of double tracking with 3 guitar parts with drums and bass. Double tracking or doubling is an audio recording technique in which a performer sings or plays along with their own prerecorded performance, usually to produce a stronger or bigger sound than can be obtained with a single voice or instrument.
Further examination of the "double-doink" shows the Eagles’ Treyvon Hester got a hand on the botched 43-yard field goal attempt.
The Lutz is a figure skating jump, named after Alois Lutz, an Austrian skater who performed it in 1913. It is a toepick-assisted jump with an entrance from a back outside edge and landing on the back outside edge of the opposite foot.
However, no flag was thrown and the Saints had to settle for Lutz's third field goal, from 31 yards, which gave them a 23–20 lead with 1:26 remaining. On the Rams' ensuing drive, Goff completed a 19-yard pass to Reynolds and then threw a 16-yard pass to Robert Woods to convert a 3rd-and-3 and give Los Angeles the ball on the Saints' 33-yard line.
The music for the most part consists of driving organ-patterned drone-like rock; seamless psychedelic cosmic musical textures with intricate musicianship and musical variety; hard, driving rock similar to Amon Düül II; and jamming that occasionally invokes the interplay and styles of Garcia, Weir and Lesh of The Grateful Dead and hints at a ...