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Pendet dancers offering a greeting. The original Pendet dance is performed by 4-5 young pre-pubescent girls in the yards of Balinese Hindu temples. Pendet is the presentation of an offering in the form of a ritual dance. Unlike sacred ritual dances that demand arduous training, Pendet may be danced by anyone, taught simply by imitation.
Topeng dance is mentioned in the Kakawin Nagarakertagama in a palm-leaf manuscript called Lontar that was written by Mpu Prapanca in 1365 AD. A collection of the National Library of Indonesia in Jakarta A 14th-century Majapahit golden mask.
The Srimpi (Javanese: ꦱꦿꦶꦩ꧀ꦥꦶ, romanized: Srimpi) (also written as Serimpi) is a ritualised dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta.
A dancer completing his spinning movements. (Performed by Nyoman T. Usadhi at Sanata Dharma University, 2014) Generally, the kebyar duduk dance is performed by a single male dancer, though his make-up makes him appear almost androgynous. [8]
Gandrung dance performance in Balinese manuscripts. A collection of the University of Leiden, Netherlands. Gandrung derives its name from the Javanese word for "love". [1] It is theorized that the dance originated as a ritual dance to express the people's affection for the rice goddess Dewi Sri, [4] with trance and as a kind of fertility dance. [5]
The advertisement was created by a private company in Singapore for Discovery Channel’s *Enigmatic Malaysia* program. [1] The incorrect label of Pendet as a Malaysian dance caused strong reactions in Indonesia, where cultural experts, government officials, and the tourism ministry demanded Malaysia explain the mistake.
Kecak (Balinese: ᬓᬾᬘᬓ᭄, romanized: kécak, pronounced "kechak"), alternate spellings: kechak and ketjak), known in Indonesian as tari kecak, is a form of Balinese Hindu dance and music drama that was developed in the 1930s.
Baris dance (Balinese: ᬩᬭᬶᬲ᭄, igélan baris) is a family of traditional war dances in Bali, Indonesia, accompanied by gamelan, in which dancers depict the feelings of a young warrior prior to battle, glorify the manhood of the triumphant Balinese warrior, and display the sublimity of his commanding presence.