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  2. Piano key frequencies - Wikipedia

    en.wikipedia.org/wiki/Piano_key_frequencies

    This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440). [1] [2] Every octave is made of twelve steps called semitones.

  3. Piano tuning - Wikipedia

    en.wikipedia.org/wiki/Piano_tuning

    Likewise, if a string tuned to 220 Hz (with a harmonic at 440 Hz) is played together with a string tuned at 442 Hz, the same 2 Hz beat is heard. [4] Because pianos typically have multiple strings for each piano key, these strings must be tuned to the same frequency to eliminate beats.

  4. Pythagorean tuning - Wikipedia

    en.wikipedia.org/wiki/Pythagorean_tuning

    The purpose of this adjustment is to move the 12 notes within a smaller range of frequency, namely within the interval between the base note D and the D above it (a note with twice its frequency). This interval is typically called the basic octave (on a piano keyboard, an octave has only 12 keys).

  5. Understand the notes on a piano or MIDI keyboard - AOL

    www.aol.com/news/understand-notes-piano-midi...

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  6. Miracle Piano Teaching System - Wikipedia

    en.wikipedia.org/wiki/Miracle_Piano_Teaching_System

    After the supplied MIDI keyboard is connected to a console or computer and the included software is loaded, a user follows the on-screen notes. Its marketed value is as a tool to teach users to play the piano. It provides hundreds of lessons, [2] and was advertised as the perfect adjunct to formal lessons. It was sold for US$500 and had low ...

  7. Musical temperament - Wikipedia

    en.wikipedia.org/wiki/Musical_temperament

    For instance, 660 Hz / 440 Hz (a ratio of 3:2) constitutes a fifth, and 880 Hz / 440 Hz (2:1) an octave. Such intervals (termed "just") have a stability, or purity to their sound, when played simultaneously (assuming they are played using timbres with harmonic partials) because pure intervals do not waver or beat regularly.

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