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In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
"Don't Look Now (It Ain't You or Me)" John Fogerty Willy and the Poor Boys: 1969 [7] "Door to Door" Stu Cook † Mardi Gras: 1972 [8] "Down on the Corner" John Fogerty Willy and the Poor Boys: 1969 [7] "Effigy" John Fogerty Willy and the Poor Boys: 1969 [7] "Feelin' Blue" John Fogerty Willy and the Poor Boys: 1969 [7] "Fortunate Son" John Fogerty
For example, while a classical piece and a swing arrangement might use the following chord sequence in the key of C major: "C – Am – Dm – G 7", a bebop bandleader might reharmonize the same progression as "C 7 – A 7 – D 7 – G 7", making a sequence of dominant seventh chords, so long as the new dominant chord harmonies were ...
Power chords are also referred to as fifth chords, indeterminate chords, or neutral chords [citation needed] (not to be confused with the quarter tone neutral chord, a stacking of two neutral thirds, e.g. C–E –G) since they are inherently neither major nor minor; generally, a power chord refers to a specific doubled-root, three-note voicing ...
Close harmony singing was especially popular in the 1940s with pop and R&B groups using the technique quite frequently. The Andrews Sisters also capitalized on a similar style with swing music . Many gospel and soul groups in the 1950s and 60s also used this technique, usually 3- or 4-part SSAA or TTBB harmony with one person (either bass or ...
A particular key features a tonic note and its corresponding chords, also called a tonic or tonic chord, which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same key, their corresponding chords, and pitches and chords outside the key. [2] Notes and chords other than the tonic in ...
High C – E-A-d-g-c' Standard tuning with the B tuned a half step higher to C to emulate a six-string bass guitar, minus the low B. This is an all fourths tuning. Celloblaster or Guitello – C-G-d-a-e' An all fifths tuning as used on cello or mandolin, extended to five strings.
A drop-2 voicing lowers the second voice by an octave. For example, a C-major triad has three "drop-2 voicings". Reading down from the top voice, they are C E G, E G C, and G C E, which can be heard as the voicings supporting the first three melody notes (following the introductory phrase) of the Super Mario Bros. video game theme. [18]