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Prior to contact, pottery was usually open-air fired or pit fired; precontact Indigenous peoples of Mexico used kilns extensively. Today many Native American ceramic artists use kilns. In pit-firing, the pot is placed in a shallow pit dug into the earth along with other unfired pottery, covered with wood and brush, or dung, then set on fire ...
The Eva site (40BN12) is a prehistoric Native American site in Benton County, Tennessee, in the Southeastern United States. Located along an ancient channel of the Tennessee River, the Eva site saw extensive periods of occupation during the Middle and Late Archaic period (c. 6000-1000 BC). The site's well-defined midden layers helped ...
Shrum Mound is a Native American burial mound in Campbell Memorial Park in Columbus, Ohio. [2] The mound was created around 2,000 years ago by the Pre-Columbian Native American Adena culture. [2] The site was added to the National Register of Historic Places in 1970. [1]
The native New Mexican Norman Nelson, who is a second-generation archaeologist estimates that 95% of sites have been looted, and that prehistoric Mimbres black-on-white style pottery fetches high prices on the market, particularly to collectors in "Scandinavia, Sweden, Germany, Japan and China."
Native American Restored prehistoric quarry pit and museum about the digging and shaping of flint Follett House Museum Sandusky Erie Northeast Local history Branch of the Sandusky Library, exhibits of local history [81] Fort Ancient: Lebanon: Warren Southwest Native American Ancient Native American mounds and museum Fort Firelands: Marblehead ...
Black-on-black ware pot by María Martinez of San Ildefonso Pueblo, circa 1945.Collection deYoung Museum María and Julián Martinez pit firing black-on-black ware pottery at P'ohwhóge Owingeh (San Ildefonso Pueblo), New Mexico (c.1920) Incised black-on-black Awanyu pot by Florence Browning of Santa Clara Pueblo, collection Bandelier National Monument Wedding Vase, c. 1970, Margaret Tafoya of ...
Point Peninsula pottery represented a new kind of technology in North America and has also been called Vinette II. Compared to existing ceramics that were thicker and less decorated, this new pottery has been characterized by "superior modeling of the clay with vessels being thinner, better fired and containing finer grit temper ."
An example is a 1930s vase in the collection of the Smithsonian Institution's National Museum of the American Indian in Washington, D.C. [18] Her work is distinguished by the shapes of the pottery and the designs. She made wide, low, rounded, shaped pottery and, in later years, tall jars. [9]