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A440 (also known as Stuttgart pitch [1]) is the musical pitch corresponding to an audio frequency of 440 Hz, which serves as a tuning standard for the musical note of A above middle C, or A 4 in scientific pitch notation. It is standardized by the International Organization for Standardization as ISO 16.
Pitch depends to a lesser degree on the sound pressure level (loudness, volume) of the tone, especially at frequencies below 1,000 Hz and above 2,000 Hz. The pitch of lower tones gets lower as sound pressure increases. For instance, a tone of 200 Hz that is very loud seems one semitone lower in pitch than if it is just barely audible.
Scientific pitch, also known as philosophical pitch, Sauveur pitch or Verdi tuning, is an absolute concert pitch standard which is based on middle C (C 4) being set to 256 Hz rather than ~ 261.63 Hz, [a] making it ~ 31.77 cents lower than the common A440 pitch standard.
1 hertz (Hz) 1 to 1.66 Hz: Approximate frequency of an adult human's resting heart beat: 1 Hz: 60 bpm, common tempo in music 2 Hz: 120 bpm, common tempo in music ~7.83 Hz: Fundamental frequency of the Schumann resonances: 10 1: 10 hertz 10 Hz: Cyclic rate of a typical automobile engine at idle (equivalent to 600 rpm) 12 Hz
In telephony, the usable voice frequency band ranges from approximately 300 to 3400 Hz. [2] It is for this reason that the ultra low frequency band of the electromagnetic spectrum between 300 and 3000 Hz is also referred to as voice frequency, being the electromagnetic energy that represents acoustic energy at baseband.
For standard A440 pitch equal temperament, the system begins at a frequency of 16.35160 Hz, which is assigned the value C 0. The octave 0 of the scientific pitch notation is traditionally called the sub-contra octave, and the tone marked C 0 in SPN is written as ,,C or C,, or CCC in traditional systems, such as Helmholtz notation.
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A440 Play ⓘ. 440 Hz = 4.21 or 4.39. The Bark scale is a psychoacoustical scale proposed by Eberhard Zwicker in 1961. It is named after Heinrich Barkhausen, who proposed the first subjective measurements of loudness. [1] One definition of the term is "a frequency scale on which equal distances correspond with perceptually equal distances.