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The first two phrases of the melody from Stephen Foster's "Oh! Susanna" are based on the major pentatonic scale [1]. A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale).
Cannibal Corpse’s song “Rabid” off of their Torture album is written in the Hungarian minor scale. [17] The second section of Klaus Schulze's long composition “Ludwig II” from the album X has a theme built on an ascending Hungarian minor scale. The song “Worth It” by Fifth Harmony features a saxophone riff written in this scale.
In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B ♭ alto. [2] Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major , the subdominant of the relative major B ♭ , for the slow movement, with other examples including Joseph ...
For instance, in C major, a jazz musician may alter the V chord, G 7 (G–B–D–F), with a flattened fifth, producing the chord G 7 ♭ 5 (G–B–D ♭ –F). An improviser might then choose a scale containing these four notes, such as the G whole tone scale, the G octatonic scale, or a mode of either D or A ♭ melodic minor ascending.
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
The second is a pentatonic (so-called black-note) cluster, indicated by the flat sign; a sharp sign would be required if the notes showing the limit of the cluster were spelled as sharps. A chromatic cluster—black and white keys together—is shown in this method by a solid bar with no sign at all. [ 12 ]
The ritsu scales do not fit exactly into the equal temperament prominent in Western classical music but ritsu is transposable to E and B, Ryo is transposable to D and G, and Hanryo hanritsu to A. [7] The Ritsu scale is one of the six scales (along with the major and minor scales, the common pentatonic scale, and the common "blues" scale) that ...
Gershwin was remarkably successful in his intent to have this sound like a folk song. This is reinforced by his extensive use (one exception: the note B under the word "high") of the pentatonic scale (C–D–E–G–A) in the context of the A minor tonality and a slow-moving harmonic progression that suggests a "blues". Because of these ...