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An 18th-century Ethiopian image of Jesus. Certain local traditions have maintained different depictions, sometimes reflecting local racial characteristics, as do the Catholic and Orthodox depictions. The Coptic Church of Egypt separated in the 5th century, and has a distinctive depiction of Jesus, consistent with Coptic art.
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Another 20th-century depiction of Jesus, namely the Divine Mercy image, is based on Faustina Kowalska's reported vision, which she described in her diary as a pattern that was then painted by artists. [78] The depiction is now widely used among Catholics, and it has more than a hundred million followers worldwide. [78] [79]
Some scholars have suggested the icon at Sinai could have been a possible representation of the Kamouliana icon of Christ [11] or of the famous icon of Christ of the Chalke Gate, [12] an image which was destroyed twice during the first and second waves of Byzantine Iconoclasm—first in 726, and again in 814—and thus its connection with the ...
Below, the birth and childhood of Mary A 17th-century oak carving of the Tree of Jesse from St Andrews Castle, Royal Scottish Museum (Painter related to) Geertgen tot Sint Jans, c. 1500, oil on panel. The Tree of Jesse is a depiction in art of the ancestors of Jesus Christ, shown in a branching tree which rises from Jesse of Bethlehem, the ...
It turns out the most accurate depiction of Jesus Christ may be on a bronze coin from the 1st century AD. The image on the coin was believed to be of Manu, the King of Edessa, which is today ...
Traditio legis, or "transmission of the law", Christ as lawgiver, [2] mosaic, Basilica of San Lorenzo, Milan, 4th century, includes a scroll box at Christ's feet.. From the latter part of the fourth century, a still beardless Christ begins to be depicted seated on a throne on a dais, often with his feet on a low stool and usually flanked by Saints Peter and Paul, and in a larger composition ...
Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well. The picture depicts the Baptism of Jesus by John the Baptist as recorded in the Biblical Gospels of Matthew, Mark and Luke. The angel to the left is recorded as having been painted by the youthful Leonardo, a fact which has excited so much ...