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Samples of recorded Adinkra symbols. Adinkra are symbols from Ghana that represent concepts or aphorisms. Adinkra are used extensively in fabrics, logos and pottery. They are incorporated into walls and other architectural features. Adinkra symbols appear on some traditional Akan goldweights. The symbols are also carved on stools for domestic ...
It also covers spirits as well as deities found within the African religions—which is mostly derived from traditional African religions. Additionally, prominent mythic figures including heroes and legendary creatures may also be included in this list.
The primary function of the tribal marks is for identification of a person's tribe, family or patrilineal heritage. [ 2 ] [ 3 ] Other secondary functions of the marks are symbols of beauty, Yoruba creativity and keeping mischievous children alive (ila Abiku).
Ehret, Christopher, An African Classical Age: Eastern and Southern Africa in World History, 1000 B.C. to A.D. 400, page 159, University of Virginia Press, ISBN 0-8139-2057-4; Karade, B (1994) The Handbook of Yoruba Religious Concepts. York Beach, MA: Samuel Weiser Inc. P'Bitek, Okot. African Religions and Western Scholarship.
These symbols were the beginning of the African art form. [7] The Ndebele tribe originally in the early 18th century lived in grass huts. They began using mud-walled houses in the mid-18th century when these symbols begin to be created on their houses and walls. These expressive symbols were used for communication between sub-groups of the ...
Symbols of the African Union (1 C, 3 P) Pages in category "Symbols of Africa" The following 2 pages are in this category, out of 2 total.
The scars are a symbol of her new, harder life. The neck rolls are an indication of the health of an ideal woman. They have also been called symbols of the pattern of concentric, circular ripples the Mende spirit makes when emerging from the water. [12] In the Mende culture, full-figured women are beautiful.
As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
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