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The other terms famille jaune (yellow) and famille noire (black) may have been introduced later by dealers or collectors and they are generally considered subcategories of famille verte. [ 1 ] [ 2 ] Famille verte porcelain was produced mainly during the Kangxi era, while famille rose porcelain was popular in the 18th and 19th century.
The Chinese saying "Yellow generates yin and yang" implies that yellow is the center of everything. Associated with but ranked above brown, yellow signifies neutrality and good luck. Yellow is sometimes paired with red in place of gold. [citation needed] The Yellow River is the cradle of Chinese civilization.
Chinese pigments is similar to Western gouache paint in that it contains more glue than watercolours, but more so than gouache. The high glue content makes the pigment bind better to Chinese paper and silk as well as enabling works of art to survive the wet-mounting process of Chinese hanging scroll mountings without smudging or bleeding.
Even in the earliest monochromatic prints and books, colour was added by hand for special commissions. Demand for colour in the early-18th century was met with tan-e [c] prints hand-tinted with orange and sometimes green or yellow. [33] These were followed in the 1720s with a vogue for pink-tinted beni-e [d] and later the lacquer-like ink of ...
Famille rose (French for "pink family") is a type of Chinese porcelain introduced in the 18th century and defined by pink overglaze enamel. It is a Western classification for Qing dynasty porcelain known in Chinese by various terms: fencai , ruancai , yangcai , and falangcai . [ 1 ]
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006).
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