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The leading figure in British music of the early 18th century was a naturalized Briton, George Frideric Handel (1685–1759). Although he was born in Germany, he first visited England in 1710, later moving there and becoming a naturalised citizen, playing a defining role in the music of the British Isles. [ 13 ]
Given England’s unique situation, English Protestant music emerged as its own distinct genre during and after the Reformation. In some ways, it reflected elements of Calvinism; for instance, Calvinist psalmodies were exceedingly popular in mid-sixteenth century England. [43]
George Frideric Handel was a leading figure of early 18th-century British music.. Music in the British Isles, from the earliest recorded times until the Baroque and the rise of recognisably modern classical music, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. [1]
Surviving sources indicate that there was a rich and varied musical soundscape in medieval Britain. [1] Historians usually distinguish between ecclesiastical music, designed for use in church, or in religious ceremonies, and secular music for use from royal and baronial courts, celebrations of some religious events, to public and private entertainments of the people. [1]
Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style). The Baroque period is divided ...
During the Georgian era, the music of George Frideric Handel was highly significant, with his repertoire of anthems, canticles and hymns, although he never held a church post. [15] Up until the early 19th century, most Anglican church music in England was centred around the cathedrals, where trained choirs would sing choral pieces in worship.
There were once many different dialects of modern English in England, which were recorded in projects such as the English Dialect Dictionary (late 19th century) and the Survey of English Dialects (mid 20th century), but many of these have passed out of common usage as Standard English has become more widespread through education, the media and ...
The hornpipe is a style of dance music thought to have taken its name from an English reed instrument by at least the 17th century. [10] In the mid-18th century it changed from 3/2 time to 2/2, assuming its modern character, and probably reaching the height of its popularity as it became a staple of theatrical performances. [76]