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In Spain, music Has played an important role in the development of Western music, and has greatly influenced Latin American music. Spanish music is often associated with traditional styles such as flamenco and classical guitar. While these forms of music are common, there are many different traditional musical and dance styles across the regions.
One of the reasons for this slow development was Spain's strong tradition of spoken drama, which made some critics believe that opera was a less worthy art form. However, there was a tradition of songs given within largely spoken plays which began in the early 16th century by such distinguished composers as Juan del Encina .
The oral tradition is one that is conveyed primarily by speech as opposed to writing, [7] in predominantly oral cultures proverbs (also known as maxims) are convenient vehicles for conveying simple beliefs and cultural attitudes. [8] "The hearing knowledge we bring to a line of poetry is a knowledge of a pattern of speech we have known since we ...
An example of a corrido song sheet or sheet music, this one from 1915 at the height of the Mexican Revolution. Corridos play an essential part in Mexican and Mexican American culture. The name comes from the Spanish word correr ("to run"). A typical corrido's formula is eight quatrains with four to six lines containing eight syllables. [4]
The popularity of telenovelas and music familiarizes the speakers with other accents of Spanish. Prescription and a common cultural and literary tradition, among other factors, have contributed to the formation of a loosely defined register which can be termed Standard Spanish (or "Neutral Spanish"), which is the preferred form in formal ...
Latin pop is a catch-all for any pop music sung in Spanish, while Mexican/Mexican-American (also to referred to as Regional Mexican) is defined as any musical style originating from Mexico or influences by its immigrants in the United States including Tejano, and tropical music is any music from the Spanish Caribbean. [16]
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Spanish is usually considered a syllable-timed language. Even so, stressed syllables may be up to 50% longer in duration than non-stressed syllables. [93] [94] [95] Although pitch, duration, and loudness contribute to the perception of stress, [96] pitch is the most important in isolation. [97]