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Italics may also be used where <dfn> tags or {} templates mark a term's first use, definition, introduction, or distinguished meaning on the page. Note that <dfn> tags and {{ dfn }} templates do not apply text formatting, so the italicization (or quoting) must be added if intended.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Sample of Niccoli's cursive script, which developed into Italic type. Catherine of Siena, Epistole ("Letters"), published in Venice by Aldo Manuzio in September 1500: [6] illustrated table in which appear the first words ever printed in italics: iesus, inside the heart in the left hand and iesu dolce iesu amore inside the book in the right hand. [7]
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention.
In poetry, a stanza (/ ˈ s t æ n z ə /; from Italian stanza, Italian:; lit. ' room ') is a group of lines within a poem, usually set off from others by a blank line or indentation. [1] Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas.
"Ariel" is composed of ten three-line stanzas with an additional single line at the end, and follows an unusual slanted rhyme scheme. Literary commentator William V. Davis notes a change in tone and break of the slanted rhyme scheme in the sixth stanza which marks a shift in the theme of the poem, from being literally about a horse ride, to more of a metaphoric experience of oneness with the ...
It would be impossible to overestimate the importance of Horace's Ars Poetica (Art of Poetry) for the subsequent history of literary criticism. Since its composition in the first century BCE, this epigrammatic and sometimes enigmatic critical poem has exerted an almost continual influence over poets and literary critics alike – perhaps ...
Page explaining the relationship of the sounds of the poem to its meaning and a link to a recording of the poem sung in Latin [5] Text with translation notes [6] Page with a link to WordPad document of "Sparrows and Apples: The Unity of Catullus 2", by S.J. Harrison, an article in Scripta Classica Israelica (scroll down to "Articles in Journals ...