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As the mod subculture grew in London during the early-to-mid-1960s, tensions arose between the mods, often riding highly decorated motor scooters, and their main rivals, the rockers, a British subculture who favoured rockabilly, early rock'n'roll, motorcycles and leather jackets, and considered the mods effeminate because of their interest in ...
The mod subculture was centred on fashion and music, and many mods wore parkas and rode scooters. Mods wore suits and other cleancut outfits, and listened to music genres such as modern jazz, soul, Motown, ska and British blues-rooted bands like the Yardbirds, the Small Faces, and later the Who and the Jam.
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Elements of the mod subculture include fashion (often tailor-made suits); music (including soul, rhythm and blues, ska, jazz, and later splintering off into rock and freakbeat after the peak Mod era); and motor scooters (usually Lambretta or Vespa). The original mod scene was associated with amphetamine-fuelled all-night dancing at clubs. [140]
Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men in the late 1950s who were termed modernists because they listened to modern jazz. [ 2 ] ^ Grossman, Henry; Spencer, Terrance; Saton, Ernest (13 May 1966).
The Bloomsbury group in London was one example, providing a place where the diverse talents of people like Virginia Woolf, Leonard Woolf, John Maynard Keynes, and E.M. Forster could interact. Other pre-World War I subcultures were smaller social groupings of hobbyists or a matter of style and philosophy amongst artists and bohemian poets. In ...
For example, Mod revivalists The Purple Hearts named themselves after the amphetamine tablets popular with mods during the 1960s, as did the Australian band of the same name during the mid-1960s. [ citation needed ] The Amphetameanies, a ska-punk band, are also named after amphetamine, but hint at its effects in their musical style.
In the 1960s, the Jamaican diaspora introduced rude boy music and fashion to the United Kingdom, which influenced the mod and skinhead subcultures. [10] [11] In the late 1970s, the term rude boy and rude boy fashions came back into use after the 2 tone band the Specials (notably with a cover of "A Message to You Rudy") and their record label 2 Tone Records instigated a brief but influential ...