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Franz Schubert's Trout Quintet and Antonín Dvořák's Piano Quintet No. 2 are both in A major. Johannes Brahms, César Franck, and Gabriel Fauré wrote violin sonatas in A major. In connection to Beethoven's Kreutzer Sonata, Peter Cropper said that A major "is the fullest sounding key for the violin." [2]
These 24 Preludes are based on a seven-note scale consisting of the six notes of the whole–tone scale with the addition of the perfect fourth [253] The sequence includes preludes in D#, G# and A#, which are normally considered theoretical keys as their key signatures include double sharps. Michelle Gorrell [254]
This note lies a chromatic semitone above A and a diatonic semitone below B, thus being enharmonic to B ♭ (French: si bémol). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the A ♯ above middle C is approximately 466.164Hz. [1] See pitch (music) for a discussion of historical ...
There can be up to seven flats in a key signature, applied as: B ♭ E ♭ A ♭ D ♭ G ♭ C ♭ F ♭ [9] [10] The major scale with one flat is F major. In all major scales with flat key signatures, the tonic in a major key is a perfect fourth below the last flat.
The pattern of whole and half steps characteristic of a major scale. The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major. [1] A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is:
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The seventh scale degree is very often raised a half step to form a leading tone, making the dominant chord (V) a major chord (i.e. V major instead of v minor) and the subtonic chord (vii), a diminished chord (vii o, instead of ♭ VII). This version of minor scale is called the harmonic minor scale.
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