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The Hallstatt culture was the predominant Western and Central European archaeological culture of the Late Bronze Age (Hallstatt A, Hallstatt B) from the 12th to 8th centuries BC and Early Iron Age Europe (Hallstatt C, Hallstatt D) from the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC (Late Bronze Age) and followed in much of its area by the La Tène ...
Gold jewelry (necklaces, bracelets, rings) were worn as symbols of social class and were often of high craftsmanship and artistic quality. Girls of the Hallstatt and early La Tène culture wore amber chains and amulets as individual chains or multiple string colliers; the colliers had up to nine strings and over a hundred amber beads. [80]
The examined individuals of the Hallstatt culture and La Tène culture were genetically highly homogeneous and displayed continuity with the earlier Bell Beaker culture. They carried about 50% steppe-related ancestry. [44] A genetic study published in iScience in April 2022 examined 49 genomes from 27 sites in Bronze Age and Iron Age France ...
A protrusion at its centre supports a 19 cm statuette of moulded bronze, depicting a woman with one outstretched arm, which once may have held some object such as a plastinx. She wears a peplos, the body-length Ancient Greek garment worn by women, and her head is covered by a veil. The statuette appears of a somewhat older style than figures on ...
Hallstatt lies in the area where the western and eastern zones of the Hallstatt culture meet, which is reflected in the finds from there. [7] Hallstatt C is characterized by the first appearance of iron swords. Hallstatt D displays daggers, almost to the exclusion of swords, in the western zone graves ranging from circa 600 to 500 BC.
The earliest archaeological culture that is conventionally termed Celtic, the Hallstatt culture (from "Hallstatt C" onwards), comes from the early European Iron Age, c. 800 –450 BC. Nonetheless, the art of this and later periods reflects considerable continuity, and some long-term correspondences, with earlier art from the same regions, which ...
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