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One or "a" (indefinite article), as exemplified in the following entries un poco or un peu (Fr.) A little una corda One string (i.e., in piano music, depressing the soft pedal, which alters and reduces the volume of the sound). For most notes in modern pianos, this results in the hammer striking two strings rather than three.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A Dictionary of Ballet Terms (3rd revised ed.). New York: Da Capo Press. ISBN 0-306-80094-2. OCLC 4515340. Minden, Eliza Gaynor (2005). The Ballet Companion: A Dancer's Guide to the Technique, Traditions, and Joys of Ballet. New York: Simon and Schuster. ISBN 0-7432-6407-X. OCLC 58831597. Glossary of Dance Terms. New York: New York City Ballet ...
One brush effect is "stirring" on the snare, which creates a sustained sound for ballads. bubbles. A term most used within reggae music to describe an electronic or Hammond organ part of short duration (usually an eighth-note in length) typically played on the second and fourth beats of a 4/4 progression.
The One-Step included the following basic figures (and a number of more advanced ones): [2] The Castle Walk (invented and introduced by Mr. and Mrs. Vernon Castle). [1] The Turn is a walking step, pivoting on one foot to change direction. The right foot comes from the preceding step to the place of starting; while it makes two successive long ...
Period built of two five-bar phrases in Haydn's Feldpartita in B ♭, Hob. II:12. [1] Diagram of a period consisting of two phrases [2] [3] [4]. In music theory, a phrase (Greek: φράση) is a unit of musical meter that has a complete musical sense of its own, [5] built from figures, motifs, and cells, and combining to form melodies, periods and larger sections.
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The three whirls must be done rapidly to accomplish a complete revolution to one beat of the music. [2] The Castle Walk may be varied by describing the figure eight or zig-zag instead of the large circle in the steps taken. [2] Troy Kinney describes the Castle Walk as part of One-Step as follows: [3]