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Motif description is the term that has been used for a form of dance notation; however, the current preferred terminology is Motif Notation. It is a subset and reconception of Labanotation sharing a common lexis. The main difference between the two forms is the type of information they record.
Dance/movement therapy (DMT) in USA [1] and Australia [2] or dance movement psychotherapy (DMP) in the UK [3] is the psychotherapeutic use of movement and dance to support intellectual, emotional, and motor functions of the body. [4] As a modality of the creative arts therapies, DMT looks at the correlation between movement and emotion. [5]
British psychotherapist Paul Newham using Expressive Therapy with a client. The expressive therapies are the use of the creative arts as a form of therapy, including the distinct disciplines expressive arts therapy and the creative arts therapies (art therapy, dance/movement therapy, drama therapy, music therapy, writing therapy, poetry therapy, and psychodrama).
Dance therapy or dance movement therapy is a form of expressive therapy, the psychotherapeutic use of movement (and dance) for treating emotional, cognitive, social, behavioral and physical conditions. Many professionals specialize in dancer's health such as in providing complementary or remedial training or improving mental discipline.
This project took Bartenieff into cross-cultural studies of movement, expressed in work and dance activities. An educational film entitled “Dance and Human History” (1976) [10] demonstrates the concepts of the Choreometrics team. [11] This project was the first to adapt Laban-based movement analysis to observation of cultural/geographic ...
All forms of dance demand the dancer's close attention to proprioceptive information about the position and motion of each part of the body, [29] [30] but "somatic movement" in dance refers more specifically to techniques whose primary focus is the dancer's personal, physical experience, rather than the audience's visual one.
Dance/movement therapy has been a distinct profession since the 1940s. [3] The pioneers of the movement saw the relationship of how the body and mind interact in health and in illness . [ 3 ] [ 4 ] Whether it be an illness of the mind which affects the body, or an illness of the body that impacts the mind and spirit, these early therapists saw ...
A group of figures in front of a window, formed by dance students at Laban's Choreographic Institute in Berlin-Grunewald (November 1929).. Laban was the son of Rudolf Laban Sr. (1843–1907), a military governor in Pressburg (Pozsony) [2] and (from 1899) field marshal in the Austro-Hungarian Army in the provinces of Bosnia-Herzegovina, [9] and Marie (née Bridling; 1858–1926). [2]