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The mythology or religion of most cultures incorporate a god of death or, more frequently, a divine being closely associated with death, an afterlife, or an underworld. They are often amongst the most powerful and important entities in a given tradition, reflecting the fact that death, like birth , is central to the human experience.
Libitina, also Libentina or Lubentina, is an ancient Roman goddess of funerals and burial. Her name was used as a metonymy for death, [1] and undertakers were known as libitinarii. [2] Libitina was associated with Venus, and the name appears in some authors as an epithet of Venus. [3]
In ancient Roman myth and literature, Mors is the personification of death equivalent to the Greek Thanatos. [citation needed] The Latin noun for "death," mors, genitive mortis, is of feminine gender, but surviving ancient Roman art is not known to depict death as a woman. [1] Latin poets, however, are bound by the grammatical gender of the ...
The Roman deities most widely known today are those the Romans identified with Greek counterparts, integrating Greek myths, iconography, and sometimes religious practices into Roman culture, including Latin literature, Roman art, and religious life as it was experienced throughout the Roman Empire. Many of the Romans' own gods remain obscure ...
In Roman mythology, Morta was the goddess of death. [1] She was believed to preside over infants who died. [2] Aulus Gellius understood her name to be the similar as Morea. Morta’s name most likely meant fate. [3]
In Roman mythology, Dea Tacita ("the silent goddess") also known as Dea Muta or Muta Tacita, was a goddess of the dead. [1] [2] [3] Ovid's Fasti includes a passage describing a rite propitiating Dea Tacita in order to "seal up hostile mouths / and unfriendly tongue" at Feralia on 21 February. [4] [5] Dea Tacita is the same as the naiad Larunda.
Orbona is a sub deity in Roman mythology. Unlike other deities, her presence is absent in Roman mythology. She was more of a protective figure in rituals related to childbirth and mourning. Her role highlights the everyday realities of child loss in ancient Roman society, even if she doesn’t have extensive stories or myths attributed to her.
Medusa remained a common theme in art in the nineteenth century, when her myth was retold in Thomas Bulfinch's Mythology. Edward Burne-Jones ' Perseus Cycle of paintings and a drawing by Aubrey Beardsley gave way to the twentieth-century works of Paul Klee , John Singer Sargent , Pablo Picasso , Pierre et Gilles , and Auguste Rodin 's bronze ...