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Live in New York is a six-disc box set of four complete concerts performed American rock band the Doors on January 17 and 18, 1970 at the Felt Forum in New York City. [3] Two shows were played each night, with 8:00pm and 11:00pm scheduled start times on January 17, and 7:30pm and 10:00pm scheduled start times on January 18.
Morrison Hotel is the fifth studio album by American rock band the Doors, released on February 9, 1970, by Elektra Records.After the use of brass and string arrangements recommended by producer Paul A. Rothchild on their previous album, The Soft Parade (1969), the Doors returned to their blues rock style and this album was largely seen as a return to form for the band.
The Finale of Bruckner's Symphony No. 4 employs enharmonic E for F-flat, but its coda employs F-flat directly, with a Phrygian cadence through F-flat onto the tonic. [3] [4] [5] An example of F-flat major being used directly is in Victor Ewald's Quintet No. 4 in A-flat major (Op. 8), where the entirety of the third movement is notated in this ...
The Doors: No One Here Gets Out Alive (2001) Final 24: Jim Morrison (2007), The Biography Channel [234] When You're Strange (2009), Won the Grammy Award for Best Long Form Video in 2011. Rock Poet: Jim Morrison (2010) [235] Morrison's Mustang – A Vision Quest to Find The Blue Lady (2011, in production) Mr. Mojo Risin': The Story of L.A. Woman ...
The lyrics also reference Redding's song "(Sittin' On) The Dock of the Bay."[7] Music critic Bart Testa found it ironic that this Doors song was extolling "The Dock of the Bay", which for Redding was a place of defeat and "where he wasted time having found the struggle for life useless", when earlier Doors songs such as "The End" and "When the Music's Over" call vehemently for revolution. [7]
"Roadhouse Blues" is a song by the American rock band the Doors from their 1970 album Morrison Hotel. It was released as the B-side of "You Make Me Real", which peaked at No. 50 on the U.S. Billboard Hot 100 [5] and No. 41 in Canada. [6] "
"Sunday" is a 1926 song written by Chester Conn, with lyrics by Jule Styne, Bennie Krueger, and Ned Miller, which has become a jazz standard recorded by many artists.The tune has been fitted out to various lyrics, but best known in the original version of British-American songwriter Jule Styne: "I'm blue every Monday, thinking over Sunday, that one day that I'm with you"
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...