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The porches to the left of the window bay are likewise later 20th-century replacements. [2] The house was built about 1902, and represents an early example of the gambrel-roofed triple decker in the city, a style of Colonial Revival architecture that would not become widely deployed until the 1920s.
The oldest surviving framed house in North America, the Fairbanks House, has an ell with a gambrel roof, but this roof was a later addition. Claims to the origin of the gambrel roof form in North America include: Indigenous tribes of the Pacific Northwest, the Coast Salish, used gambrel roof form (Suttle & Lane (1990), p. 491). [10]
The third-floor porch is set in a round-arch recess under the gambrel roof. [2] The house was built c. 1910 by Lars Petterson, a local builder who developed a number of other properties in Worcester. He retained ownership of this house into the 1920s, when he sold it to Fred Gurney, a superintendent at a wire factory.
A mansard roof on the Château de Dampierre, by Jules Hardouin-Mansart, great-nephew of François Mansart. A mansard or mansard roof (also called French roof or curb roof) is a multi-sided gambrel-style hip roof characterised by two slopes on each of its sides, with the lower slope at a steeper angle than the upper, and often punctured by dormer windows.
It is thought to have been built between 1677 and 1678. Past historians considered it to be the oldest brick house in the United States, although that distinction belongs to Bacon's Castle, the 1665 plantation home of Virginian Arthur Allen. [2] [3] It is also believed to be, possibly, the oldest surviving house in the U.S. with a gambrel roof.
Used for its modern meaning of "gambrel-roofed house", the term does not reflect the fact that housing styles in Dutch-founded communities in New York evolved over time. In the Hudson Valley, for example, the use of brick, or brick and stone is perhaps more characteristic of Dutch Colonial houses than is their use of a gambrel roof.
Frequently, owners of Italianate, Colonial, or Federal houses chose to add a mansard roof and French ornamental features to update their homes in the latest fashions. [ 17 ] As American and Canadian architects went to study in Paris at the École des Beaux-Arts in increasing numbers, Second Empire became more significant as a stylistic choice.
The factory office, relocated to the north of the factory from its original location to the west of the siding, is a timber framed building, lowset on stumps with timber top hung sash windows and a flat fibrous cement wall cladding with timber cover strips. It has a corrugated iron gambrel roof with eaves extended over the south-west elevation. [1]