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In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. [5] In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn. [5]
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
June Smith (jazz singer) (1930–2016) Kate Smith (1907–1986) Keely Smith (1928–2017) Frank Sinatra (1915–1998) Frank Sinatra Jr. (1944–2016) Phoebe Snow (1952–2011) Jeri Southern (1926–1991) Luciana Souza (born 1966) Esperanza Spalding (born 1984) Dusty Springfield (1939–1999) Dorothy Squires (1915–1998) Jo Stafford (1917 ...
From 1919, Kid Ory's Original Creole Jazz Band of musicians from New Orleans played in San Francisco and Los Angeles, where in 1922 they became the first black jazz band of New Orleans origin to make recordings. [30] The year also saw the first recording by Bessie Smith, the most famous of the 1920s blues singers.
Hazel Dorothy Scott (June 11, 1920 – October 2, 1981) was a Trinidadian jazz and classical pianist and singer. She was an outspoken critic of racial discrimination and segregation . She used her influence to improve the representation of Black Americans in film.
Pages in category "20th-century Jazz musicians from New Orleans" The following 200 pages are in this category, out of approximately 298 total. This list may not reflect recent changes .
In the 1920s, women singing jazz music were not many, but women playing instruments in jazz music were even less common. Mary Lou Williams, known for her talent as a piano player, is deemed as one of the "mothers of jazz" due to her singing while playing the piano at the same time. [4] Lovie Austin (1887–1972) was a piano player and bandleader.
Jazz royalty is a term encompassing the many jazz musicians who have been termed as exceptionally musically gifted and informally granted honorific, "aristocratic" or "royal" titles as nicknames. [1] The practice of affixing honorific titles to the names of jazz musicians goes back to New Orleans at the start of the 20th century, before the ...