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Othello and Desdemona in Venice by Théodore Chassériau (1819-1856). The Tragedy of Othello, the Moor of Venice, often shortened to Othello (/ ɒ ˈ θ ɛ l oʊ /), is a tragedy written by William Shakespeare around 1603.
[6] [7] In his tragedy Othello, the antagonist Iago has been noted by some literary critics as being archetypal in adhering to Machiavelli's ideals by advancing himself through machination and duplicity with the consequence of causing the demise of both Othello and Desdemona. [8] The level of Machiavelli's influence on Shakespeare has divided ...
In extended discussions of Hazlitt's critical treatment of the character of Iago in Othello, [348] of Shylock in The Merchant of Venice, [349] of Caliban in The Tempest, [350] of Hamlet, [87] and, at great length, of Coriolanus, [351] he uses the contrast between Coleridge's criticism and Hazlitt's to highlight the essential originality of ...
Rather than focusing on racial disparity, the film plays on a difference between Desdemona and Othello in age, size and personal attractiveness. The film noir colouring of the picture minimised any commentary on Othello's blackness, to the point that the critic F. R. Leavis wrote that the film made no reference to Othello's colour. [4]
At literature’s most basic and elemental level of language, form, and vision, Shakespeare’s power is unequaled. If the mark of a writer’s greatness is the creation of the largest imaginary universe populated by believable characters and the reflection of the widest human experience, surely Shakespeare is alone in the magnitude of his ...
There is debate among critics as to Emilia's character nature in Othello, with some deeming her a villain and some as the true hero of the play.This is because her allegiances initially seem to lie with her husband, and she displays the typical “wifely virtues of silence, obedience, and prudence" [2] of the Elizabethan period (as seen in her theft of the handkerchief in 3.1).
Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio .
One critic wrote, "In Othello [Aldridge] delivers the most difficult passages with a degree of correctness that surprises the beholder." [ 11 ] He gradually progressed to larger roles; by 1825, he had top billing at London's Coburg Theatre as Oronoko in A Slave's Revenge , soon to be followed by the role of Gambia in The Slave, and the title ...