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In music, sight-reading, also called a prima vista (Italian meaning, "at first sight"), is the practice of reading and performing of a piece in a music notation that the performer has not seen or learned before. Sight-singing is used to describe a singer who is sight-reading.
Some music teachers teach their students relative pitch by having them associate each possible interval with the first interval of a popular song. [1] Such songs are known as "reference songs". [ 2 ] However, others have shown that such familiar-melody associations are quite limited in scope, applicable only to the specific scale-degrees found ...
This subsection and 'Posthumous music video singles' lists music videos that were prepared to accompany single releases. See the subsection titled 'Music video films' for projects where music videos were originally conceived as films (a single video in a wider filmic setting or collection of music videos produced as a single project, or an amalgam of both); and the subsection titles 'Music ...
The first electronic music visualizer was the Atari Video Music introduced by Atari Inc. in 1977, and designed by the initiator of the home version of Pong, Robert Brown. The idea was to create a visual exploration that could be implemented into a Hi-Fi stereo system. [1] In the United Kingdom music visualization was first pioneered by Fred Judd.
The Sound of Music Television Cast Ensemble – choir/chorus The Sound of Music Television Orchestra – orchestral accompaniment (tracks 1–9, 12-21), All instruments performed by (10-11, 22) Carrie Underwood – primary artist, lead vocals (tracks 2, 4–5, 7, 15, 17-20)
Soundpainting is a universal multi-disciplinary live-composing sign language for every kind of artist (musicians, actors, dancers, visual artists), and is still evolving since its creation in 1974 by Walter Thompson in Woodstock, New York. Soundpainting gives to the soundpainter (the composer) the possibility to compose multi-disciplinary ...
As far back as 1916, in the article “Upcoming Science of Music and the New Era in the History of Music”, Arseny Avraamov proclaimed his view on the future of the Art of Music: “By knowing the way to record the most complex sound textures by means of a phonograph, after analysis of the curve structure of the sound groove, directing the ...
Like its parent album Low, "Sound and Vision" was co-produced by David Bowie and Tony Visconti, with contributions from multi-instrumentalist Brian Eno. [7] The backing tracks were recorded at the Château d'Hérouville in Hérouville, France, in September 1976, and Bowie's vocals and other overdubs were recorded at Hansa Studios in West Berlin in October and November. [8]