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Just One Victory" did become a staple of Rundgren's concert performances as a set closer; he later remarked that "People get pissed if we don't do it." [12] In 2009, he toured Wizard for the first time, playing the album in its entirety. The concerts featured elaborate theatrical effects and numerous costume changes. [54]
Todd is the fifth studio album (and second double album) by American musician Todd Rundgren, released in February 1974 on Bearsville Records. It is the follow-up to the previous year's A Wizard, a True Star and features a comparatively heavier reliance on guitar playing and synthesizers. About half of the tracks were performed by Rundgren alone ...
Todd Rundgren's best-known songs – the Carole King pastiche "I Saw the Light", the ballads "Hello, It's Me" and "Can We Still Be Friends", and the goofy novelty "Bang on the Drum All Day" – suggest that he is a talented pop craftsman ... but at his core, Rundgren is a rock & roll maverick.
On a television performance in 1978, Rundgren introduced "Couldn't I Just Tell You" as a part of "the latest musical trend, power pop." [ 8 ] The song became influential to artists in the genre. Music journalist Paul Lester called the recording a "masterclass in compression " and said that Rundgren "staked his claim to powerpop immortality [and ...
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In Todd We Trust (SGC, 1989) (Nazz, Runt and Utopia) The Best of Todd Rundgren (Rhino, 1992) The Very Best of Todd Rundgren (Rhino, 1997) Free Soul (Victor, 14 July 1998) (Japanese release) The Best of Todd Rundgren "Go Ahead. Ignore Me." (Essential, 1999) The Essentials (Rhino, 2000) Best Of – I Saw the Light (Essential, 2000) Somewhere ...
Back to the Bars is a live album by rock musician Todd Rundgren, which was released as a double LP in 1978. The album was recorded during week-long stints in New York City ( The Bottom Line ), Los Angeles ( The Roxy ), and Cleveland ( The Agora ).
Something/Anything? is the third album by American musician Todd Rundgren, released in February 1972.It was Rundgren's first album released under his own name, following two records credited to the quasi-group project Runt, and was also his first double album.