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In 1777 Jean-François de La Harpe's proposal to install seats in the parterre sparked the debates between philosophes, playwrights, and officials about the desirability and motives behind seating the parterre. [29] Marmontel insisted that plans to seat the parterre was really an imposition of the "aristocracy" on "theatrical democracy". [30]
The seating areas can include some or all of the following: Close-up of the seats in the Opera and Ballet Theatre in Minsk. Stalls or arena (in North America, "orchestra"): the lower flat area, usually below or at the same level as the stage. The word parterre (occasionally, parquet) is
Parascenium: in a Greek theatre, the wall on either side of the stage, reaching from the back wall to the orchestra. Parquet: ground floor of a theatre, often main seating section, directly in front of the stage. Part: a character; the portion of the script intended for one character. Parterre: the upper part of the main seating. Usually behind ...
Includes the patrons main seating area, balconies, boxes, and entrances from the lobby. Typically the control booth is located in the back of the auditorium, although for some types of performance an audio mixing positing in located closer to the stage within the seating. Vomitorium: A passage situated below or behind a tier of seats.
Given that it was impossible to lower the house lights, the audience was always aware of each other and spectators were notably vocal during performances. The place directly in front of the stage, without seats—the "parterre"—was reserved for men, but being the cheapest tickets, the parterre was usually a mix of social groups.
The audience capacity was 2000 spread over four floors: the 'parterre' or ground floor pit with 21 rows of seats; the dress circle and upper circle comprising: balcony stalls with 7 rows of seats, the first circle with 6 rows of seats, the amphitheater with 2 rows of seats; and the top floor gallery with 9 rows of seats; [3] plus 14 private ...
Claude Mollet, from a dynasty of nurserymen-designers that lasted into the 18th century, developed the parterre in France.His inspiration in developing the 16th-century patterned compartimens (i.e., simple interlaces formed of herbs, either open and infilled with sand, or closed and filled with flowers) was the painter Etienne du Pérac, who returned from Italy to the Château d'Anet near ...
The parterre level seats a total of 463 and the mezzanine level seats 136. Each level has several boxes perpendicular to the stage; there are 54 seats in six boxes on the parterre level and 48 seats in four boxes on the mezzanine level. The boxes on the parterre level are raised above the level of the stage. Zankel Hall is wheelchair-accessible.